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June 8
, 2004 Volume II, Issue 6

Legal Limits in Raising Funds

Raising funds for independent films is a tricky business. Ignoring, for the purposes of this article, the difficulties in finding any investors for an indie project, there are other problems with raising money that involve state and federal regulations. It is imperative that a filmmaker understand and follow these regulations because not following them can have dire consequences, including fines and even, potentially, incarceration. What follows is a brief primer on some of these rules and regulations. Although the editors of this publication believe this information to be accurate, all filmmakers must work with an attorney experienced in raising money for films to ensure compliance with all state and federal security laws.

First off, before raising any money, most filmmakers need to form some sort of legal entity that shields them and investors from liability were something to go wrong with the film. The legal entity could be a corporation, a limited partnership or a limited liability company, for example. An attorney specializing in forming these entities should be retained prior to contacting any prospective investors. These legal entities generally cost $1,500 to $4,000 to form.

Once the legal entity is formed, the filmmaker can begin contacting investors. But here's the tricky part: in general, unless the legal entity is prepared to pay tens and possibly hundreds of thousands of dollars in legal and filing fees to become a publicly traded company, representatives of the legal entity are extremely limited in how many prospective investors can be contacted and in the number of investors that can legally invest in the entity.

In most states, a maximum of 100 investors can be solicited, and a maximum of 35 investors can invest. If the representatives of the legal entity go beyond these numbers, they risk violating SEC and State securities laws and could face prosecution.

These numbers also necessitate that the filmmaker ask himself some tough questions. For example, which investors should he go after and how small a minimum investment should he be willing to accept? As to the first question, a filmmaker has to choose which prospective investors to approach carefully, because once he's turned down by 100 prospects, he'd technically be violating the law if he approached any others. As to the second question, if the filmmaker is looking to raise, say, $500,000, and he accepts a minimum investment of $10,000 from each investor, then if every investor invests the minimum, the filmmaker will only raise 35 times $10,000, or only $350,000. Thus it's crucial to set a high enough minimum investment.

Another question for a filmmaker to consider: what constitutes "soliciting" a prospective investor? This is a gray area. Certainly, sending out a detailed business plan to a 1,000 people would be in violation of the law. But what about asking, over many months, a few hundred people if they've ever considered investing in a film without mentioning a specific film or investment opportunity? Is that violating the law? Probably not, but again, it's a gray area. Asking these same people if they would consider investing in a specific project would almost certainly be in violation of the law.

The bottom line is, before a filmmaker raises a dime, he has to know the state and federal laws that impact his fund-raising venture. And the best way to get to know these rules is to work with an experienced attorney to form the legal entity and to ensure that the entity complies with all state and federal laws. THE END

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